I imagine making the God of the Machine the protagonist is a pretty effective way of integrating him into the plot. In his Poetics, Aristotle determined that, even if divine intervention were necessary, it should either be established earlier in the play or else foreshadowed, thereby becoming a part of the play rather than a poor excuse for ending it. The practice was criticized even by contemporaries. The god (or gift from a god, in one case) would be lowered in from above to signify its divinity, but the crane doing the lowering was obvious to the audience, hence being a god by right of a machine. It refers to a practice in Greek theater where a play would be resolved at the end by divine intervention. Introduction Deus ex Machina is the Latin version of a Greek phrase meaning "God of the Machine" (or possibly "The Machine of God").
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